Strange New Worlds

This'll be the last "Star Trek" post for a while, I swear. However, my friend, cartoonist, and fellow Trek fan Patricia Storms left a comment in my post of September 22 suggesting I list my favorite episodes. She didn't actually specify how many, but since she has three clear favorites I thought I'd try to match her. Interestingly, only my top two sprang instantly to mind:

1. Balance of Terror. If I had to put one "Star Trek" episode in a time capsule to explain to future generations what it was all about, this would be it: The battle of wits and wills between Kirk and his equally matched Romulan opponent, wonderfully and sympathetically played by the late Mark Lenard ("In a different reality, I might have called you friend"). The deliberate evocation of World War II submarine movies, right down to the Enterprise crew whispering as if the sound of their voices could somehow travel through space. Stiles finding a little love for Vulcans in his racist (specist?) little heart. I think this episode is the perfect balance of action, character development, and Roddenberrian idealism.

2. City on the Edge of Forever. Of course. A lot of fans would list it first, but I downgrade it only slightly because it was such an atypical episode; if it were the only "Star Trek" episode anyone ever saw, I suspect they'd find it a gripping story but not come away with a full appreciation of what the series was about. Still, it had Joan Collins in her prime, Spock at his most ingenious and loyal, and Kirk faced with a truly unwinnable dilemma. It was an unusually adult story with a great mix of drama and comedy (and it contains quite a bit arch comedy). I've read Harlan Ellison's book in which he complains about how his original script was bowdlerized by Roddenberry. Comparing the two, with all respect to Mr. Ellison, I think Roddenberry did him a favor.

3. A difficult choice. There are plenty of great episodes left to choose from, but do you go with high-concept sci-fi, drama, comedy? "Where No Man Has Gone Before," "The Corbomite Maneuver," Arena," "Doomsday Machine," "Tomorrow is Yesterday," "Amok Time," "Trouble With Tribbles"? Somewhat to my surprise, one did emerge to stand out in my mind. But I'm gonna have to explain.

"The Savage Curtain." A chubby rock monster captures Kirk and Spock and pairs them up with a fake Abraham Lincoln and Surak of Vulcan to fight four of the most evil characters in history (also fakes). I have no excuse; I just love everything about this episode and watch it with a dumb goofy grin every time.

One reason is that I was around 13 when a local television station began syndicating "Star Trek," which hadn't been on the air since 1969. They made a very big deal about it and kicked off the series with a midnight showing of "The Savage Curtain." I could barely contain my excitement waiting weeks for that midnight to roll around. So there's some personal nostalgia involved.

A better reason is that "The Savage Curtain" has one line of dialog that I think perfectly sums up everything "Star Trek" is about and has stayed with me all these decades later. Surak is the Vulcans' Christ/Buddha/Socrates who led them to the path of pacifism and reason. When Surak meets Kirk, he gives him the Vulcan salute and says, "In my time we knew not of Earthmen. I am pleased to see that we have differences. May we together become greater than the sum of both of us."

"I am pleased to see that we have differences."

That's just about all anyone needs to know about "Star Trek" right there.